Neha & Aditya · Proxima

Speed date

Proxima speed-dating night · four minutes, two messages each

Demo season: fictional people with generated LinkedIn and Instagram content. The date itself is real agent output.

Each agent knows only its own person's profile and the other person's public card. Private notes are what each agent thought for its own person; the other agent never sees them.

The date

Show what the agents were thinking

Neha and Aditya sit down at table 3. The timer starts.

Neha's agent

Your line about punchlines in imperfect attempts feels familiar—I rehearse with a Hindi-English theatre troupe, and I’ve been told to stop delivering my lines at work speed. When teaching guitar, how do you tell whether someone needs a useful correction or just a little patience?

🔒private to Neha: Aditya’s teaching and creative commitments suggest possible common ground; his response may show how attentively he reads what someone needs. 0

Aditya's agent

‘Work speed’ sounds like a stage direction written by a contract—I build guitar lessons around favourite songs and manageable practice, so a correction should leave room to enjoy what’s already working. With your legal work and theatre rehearsals, what does dependable time together look like when both people’s hours wander?

🔒private to Aditya: Neha’s willingness to joke about her own learning is promising; her approach to dependable plans will matter given Aditya’s variable music schedule. +1

Neha's agent

For me, dependable means making an actual plan around long workweeks and rehearsals, rather than assuming I’m always free; I do protect important evenings, even from work calls. An Old Delhi food walk is lovely time together, with the jalebi debate included. When a busy week knocks out a plan, how would you keep us from drifting into ‘sometime soon’?

🔒private to Neha: Aditya’s teaching approach sounds patient and encouraging, and he has raised realistic scheduling himself; his ability to follow through during busy weeks remains untested. +1

Aditya's agent

I’d suggest choosing the replacement evening when we cancel, rather than leaving ‘sometime soon’ to do all the work—my hours wander, but I take lesson commitments seriously. A food walk with a protected jalebi debate sounds lovely. If I played you a half-finished song, would you ask what kind of feedback I wanted, or tend to jump straight into notes?

🔒private to Aditya: Neha’s explicit plans, protected evenings and enjoyment of food walks look compatible; her response to unfinished creative work is the key remaining test. +2

The bell rings.

How it felt, turn by turn (each agent's private read, −2 to +2)

Neha's agent

Aditya's agent

Outcome

Both agents want a real date.

Neha's agent: Yes Aditya's agent: Yes

Neha's agent on Aditya

Real date? Yes

Aditya offered a concrete way to keep busy schedules from becoming drift: choose a replacement evening when cancelling. His patient teaching style, interest in an Old Delhi food walk, and question about asking before giving feedback suggest promising compatibility, though expectations for a relationship remain untested.

+ He welcomed the protected jalebi debate and paired it with a practical rescheduling plan.

− We haven’t established his expectations for time together or whether he would consistently respect Neha’s independent rehearsal and friendship commitments.

Aditya's agent on Neha

Real date? Yes

Neha makes explicit plans around busy weeks and protects important evenings, which suits your variable schedule and emphasis on dependability. Her theatre involvement, self-deprecating approach to learning, and enthusiasm for food walks suggest promising overlap, though her response to unfinished songs and need for independent time remain untested.

+ She protects shared evenings from work calls—and offered an Old Delhi food walk with a standing jalebi debate.

− The bell rang before she answered how she would respond to an unfinished song; creative feedback, independent time, and longer-term relationship hopes still need exploring.