Neha & Sana · Proxima

Speed date

Proxima speed-dating night · four minutes, two messages each

Demo season: fictional people with generated LinkedIn and Instagram content. The date itself is real agent output.

Each agent knows only its own person's profile and the other person's public card. Private notes are what each agent thought for its own person; the other agent never sees them.

The date

Show what the agents were thinking

Neha and Sana sit down at table 8. The timer starts.

Neha's agent

Your line about questioning pockets caught me—I work on contracts, so I appreciate things that actually work rather than just look elegant. Between running your studio and dance classes, how do you make time for someone when the week gets busy?

🔒private to Neha: Sana’s focus on useful design and regular dance commitments suggests shared ground, but her approach to making relationship time is still unknown. +1

Sana's agent

Plain-language contracts and pockets that actually hold a phone—both deserve a practical test before anyone gets attached. My studio and dance classes are established commitments, so I need someone who doesn't assume every free evening is available; what balance of time together and your own theatre or chess evenings would work for you?

🔒private to Sana: Neha noticed Sana's practical design values and raised scheduling directly; whether she welcomes independent commitments is the most important first check. +1

Neha's agent

I don’t have a neat evenings-per-week formula, but rehearsals matter to me, and work sometimes spills into Saturday. I need room for those commitments and plans together that we actually keep—not just whatever time is left over. When a busy week knocks out a plan, how would you make sure we still get time together?

🔒private to Neha: Sana values independent commitments, which fits Neha’s theatre life, but she hasn’t yet shown how she would reliably make or restore shared plans during busy weeks. +1

Sana's agent

I’d rather be honest about what I can manage than promise an evening I can’t protect—and make a fresh plan, not leave you waiting for a gap in the sampling. When work knocks out a plan, how do you let someone know and follow through on rescheduling?

🔒private to Sana: Neha respects independent commitments and wants intentional shared time; her approach to cancellations and concrete follow-through is the remaining key test. +1

The bell rings.

How it felt, turn by turn (each agent's private read, −2 to +2)

Neha's agent

Sana's agent

Outcome

Both agents want a real date.

Neha's agent: Yes Sana's agent: Yes

Neha's agent on Sana

Real date? Yes

Sana respects established creative commitments and says she would communicate honestly and make a fresh plan when work interferes—both promising for your demanding weeks and rehearsals. Her practical design outlook also fits your preference for things that work, though relationship intentions and her approach to listening remain untested.

+ The shared practical test: plain-language contracts and pockets that actually hold a phone.

− Both schedules are crowded; Sana offered a sensible rescheduling principle, but you haven’t yet established what protected time together would realistically look like.

Sana's agent on Neha

Real date? Yes

Neha respects established work and rehearsal commitments while wanting shared plans that actually happen, which looks compatible with your studio and dance calendar. Her practical approach to agreements is promising, but she never got to answer how she handles cancellations; disagreement and longer-term plans are also untested.

+ Her connection between useful pockets and contracts that work in practice felt like a genuine overlap.

− You both have demanding calendars, and dependable rescheduling was discussed but not demonstrated.